Tag Archives: political satire novel

Chapter 11, Preview of Covid-1984, The Musical

In this Chapter, Winston and Julia read a draft copy of Koenig Schmidt’s book, Eusocial Capitalism, my version of Orwell’s book within the novel 1984.

In this introduction I want to relate what I learned from an article by Cynthia Chung on James Burnham’s The Managerial Revolution.  Burnham (not Trotsky as many assume) is the real inspiration behind Orwell’s Emmanuel Goldstein. Chung draws links between Burnham, a former Trotskyite turned neoCon, and Henry Kissinger, Klaus Schwab and the Great Reset, the agenda of which is presaged in Burnham’s writings:

“Effective class domination and privilege does, it is true, require control over the instruments of production; but this need not be exercised through individual private property rights. It can be done through what might be called corporate rights, possessed not by individuals as such but by institutions: as was the case conspicuously with many societies in which a priestly class was dominant…”

“If, in a managerial society, no individuals are to hold comparable property rights, how can any group of individuals constitute a ruling class?

The answer is comparatively simple and, as already noted, not without historical analogues. The managers will exercise their control over the instruments of production and gain preference in the distribution of the products, not directly, through property rights vested in them as individuals, but indirectly, through their control of the state which in turn will own and control the instruments of production. The state – that is, the institutions which comprise the state – will, if we wish to put it that way, be the ‘property’ of the managers. And that will be quite enough to place them in the position of the ruling class.”

I thank Chung for the insight that Schwab’s The Great Reset follows the tradition started by Burhnam and satirized by Orwell in 1984.  Klaus Schwab is his own worst enemy; the more people who become familiar with his writings, the sooner we will have a popular uprising against the Fourth Industrial Revolution.

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Chapter 7, Preview of Covid-1984, The Musical

Suzanna Hamilton as Julia in Michael Radford’s 1984

In Chapter Seven the love story between Julia and Winston progresses further.  Orwell’s Julia has very little intellectual curiosity about the workings of the Party, which sort of confuses Winston, since he’s very interested.  Julia is more of a survivor than a reformer.  In my version of 1984, I follow Orwell’s lead again in setting up this kind of dynamic between the lovers. But I had to give my female character a little more smarts than Orwell did, since I find Orwell to be a bit sexist in his depiction of his empty-headed female lead. Orwell’s Julia works as a mechanic in the fiction-machine writing department at the Ministry of Truth.  (That’s nice comedy, Orwell.  It really is true that genre fiction might as well be written in a factory.) My Julia uses AI machine learning to create really awful academic papers using the latest feminist and transhumanist jargon.

This chapter is dedicated to my friend Daniel Donnelly. Thank you for your support.

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Chapter 6, Preview of Covid-1984, The Musical

Syme is my favorite character in Orwell’s novel. Remember him? No? He’s the nerdy linguist who is overly enthusiastic about his work reducing the English language to Newspeak. Syme is not a hero. He is one the villains in 1984. But he is a fascinating character in the way he has bought into the lies and helps bring about his own end.

Orwell understood that a natural language is an instrument of thought. If your instrument has plenty of flexibility, ambiguity, and redundancy it can be used creatively. Technologists hate that about language; they try to deny that language is wild and alive and cannot be tamed or reproduced mechanistically.

In this chapter, after bringing Julia and Winston a little closer together, I introduce my version of Syme, who, of course, works in AI translation, today’s equivalent of the Newspeak project.

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Chapter 4, Preview of “COVlD-1984, The Musical”

I’m posting Chapter Four without an introduction. It’s been a tough few weeks in the anti-totalitarian trenches and I only have enough energy to work on the actual novel, not the chapter introductions.  The Covid Cultists are really ramping things up, which means they know they are losing.  Hang on.  The darkest day will come soon (literally on Dec 21) and after that, I promise, more light will come.

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Chapter 2, Preview of “Covid-1984, The Musical”

Preview of Covid-1984 The Musical, Chapter Two.  (Not ready yet? To catch up, go to Chapter One.)

This installment is dedicated to Thomas, Heather and Valerie. Thank you for your support.

Orwell fans will appreciate Chapter Two as I begin to follow the outline of 1984’s opening scenes. As I noted in my introduction to the first chapter, I’m releasing this novel in installments even though I haven’t yet written the final chapters.  I hope to provide us “proles” with a way to imagine how to bring down the Big Brother machine, because bring it down we must.  Let’s make (up) history together. I still don’t know exactly how my Winston Smith is going to overcome the propaganda and the torture, but I’m getting some ideas when I look around me and I see all the people in the streets and online standing up and saying, I will not comply.

Keep up hope. Keep  your sense of gallows humor. Keep singing. Danser Encore.  It shows our strength, and it’s really disconcerting for our would-be tyrants. Continue reading

Locus Amoenus nominated for Dayton Literary Peace Prize

Locus Amoenus, 9/11 novel by Victoria N. Alexander, has been nominated for the 2016 Dayton Literary Peace Prize. Since 2007, the DLPP has awarded $10,000 each year. Previous recipients include, Bob Shacochis for The Woman Who Lost Her Soul, Junot Díaz for The Brief Wondrous Life of Oscar Wao, and Francine Prose for A Changed Man. The 2016 winner will be announced in September.

Locus Amoenus is now available as an audiobook, narrated by award-winning actor Ben Jorgensen, from Audible.com and iTunes. Continue reading

Outreach Group Reviews Locus Amoenus

truthoutreach
Locus Amoenus, a New Novel
9/11 as a Shakespearian Tragedy
Wayne Coste

The new novel by Victoria N. Alexander, Locus Amoenus, is a delight to read. It weaves an important modern-day tale while following the outline of William Shakespeare’s enduring tragedy, Hamlet. The Bard’s tale of Hamlet is a personal and community tragedy placed in a historical period in which the fight over the control of Hamlet’s native country ultimately leads to its subjugation to a foreign country. The characters woven into the Locus Amoenus story are no less tragic than Shakespeare’s, and the reader is left wondering just how the world of Alexander’s characters could have avoided being seduced into a current-day form of subjugation when the curtain comes down. Throughout her witty narrative, the author’s wry humor adds levity to her tale of today’s Hamlet. Continue reading

Locus Amoenus a coming of age story for the post 9/11 generation

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Victoria N. Alexander’s latest novel, Locus Amoenus, turns Shakespeare’s moody dark Hamlet (something is rotten in the state of Denmark) into a glib, manic 9/11 conspiracy theorist who discovers that something is very rotten in the United States of America. The 191-page novel was released at the end of June and hit #2 in Amazon’s dark humor category briefly in August while Kurt Vonnegut’s Slaughterhouse Five held out at #1. The novel has been highly praised outside of truther circles for its originality and acerbic wit, taking on, not just the inexcusably lax 9/11 investigation, but also pointing out the disastrous consequences of federal top-down control, for example, farm subsidies and nutrition guidelines, pharmaceutical subsidies, standard curriculum, and the “jobs and security” provided by the weapons and intelligence industries. Mainstream reviewers, award-winning novelists, and other celebrated critics have favorably compared Alexander to James Joyce, Jonathan Swift, Thomas Pynchon, Lewis Carroll, Barbara Kingsolver, Vladimir Nobokov, and Don Delillo, as well as the bard himself. Could this be a breakthrough for the truth movement? Continue reading

Sept 12th Awakening Liberty Show with Sean Caron

awakeningVictoria N. Alexander talks with Sean Caron about Locus Amoenus live from 6PM – 9PM Pacific time (9PM-11PM Eastern).

In Locus Amoenus, a 9/11 widow remarries and her son, Hamlet, learns from Horatio, a conspiracy theorist, that something is rotten in the United States of America. 

Now archived at http://www.awakeninglibertyshow.com/show-archives/