Category Archives: 2015 Press: reviews / interviews / features

Chance the Mimics Choice published in Pangyus

I’ve working on a collection of short stories and essays about artistic creation entitled after a line from Nabokov, “chance that mimics choice, the flaw that looks like a flower.” The introduction to the collection describes my work as a philosopher of science and literary fiction author and how these two parts of my life are seamlessly interwoven.  This month the online and print journal Pangyus offers the introduction in their science section.

My work in science and art has been inspired by Nabokov and the volume will include several Nabokovian stories and essays about Nabokov’s work in lepidoptery. My science is also inspired by Alan Turing, who provided some theories about butterfly wing pattern development that I’ve used in my work on Nabokov’s theory of the evolution of mimicry, and I also need to mention Goethe, who, as the quintessential artist-scientist, plays an important role in all this too. The last story in the volume is a Faustian tale about Turing with Nabokov making a cameo appearance.

I hope you enjoy this piece.


Meno’s Stories on the Strange Recital Podcast

The Strange Recital, Episode 20021
A podcast about fiction that questions the nature of reality.

VNA reads two short stories from her collection, Chance that Mimics Choice. Stay tuned for the interview that follows the stories.

Meno’s Stories is a series of four about a paradoxical scientist who stumbles his way to discovery. This program features “Winter Flies”* and “The Walk.”

*Reproduced by permission from the Antioch Review, Vol. 77, No. 2 (Spring, 2019). Copyright © 2019 by V. N. Alexander.

Fine Lines wins Nabokov Society Brian Boyd Prize

The Brian Boyd Prize, for the best book of 2016 – 2018 by someone who has previously published a book predominantly on Nabokov.

Awarded to Professor Stephen Blackwell (University of Tennessee, Knoxville) and Kurt Johnson for Fine Lines: Vladimir Nabokov’s Scientific Art (Yale University Press, 2016).

The judges write: ‘The judges for this Prize carefully considered five impressive books on Nabokov published in the last three years by established Nabokov scholars. Each would have made a worthy recipient, but ultimately they chose Fine Lines: Vladimir Nabokov’s Scientific Art, edited by Stephen Blackwell and Kurt Johnson (Yale University Press, 2016). Being a distinguished lepidopterist as well as one of the twentieth-century’s great novelists, Nabokov is a writer of outstanding interest to all those who care about the complex relationships between science and art. Fine Lines carries the existing work on this subject forward by presenting us with no fewer than 148 of Nabokov butterfly drawings, beautifully reproduced. The elegantly written and intellectually sophisticated introduction, drawing meticulously on a range of sources, sheds new light onto Nabokov’s thought and writing by focusing in particular on the fundamental questions of taxonomy and systematics. The annotations to each drawing are exceptional, providing every context that future students will need to understand what Nabokov was thinking about as he drew his butterflies. Although the Prize is awarded for the quality of the introduction, editorial work, and annotations, the judges note that the volume is enriched by ten excellent essays (by V. N. Alexander, Stephen Blackwell, Brian Boyd, Robert Dirig, Victor Fet, Lauren Lucas et al., James Mallet, Naomi Pierce et al., Robert Michael Pyle, and Dorion Sagan) and a valuable bibliography. Yale University Press also deserve the praise and gratitude of Nabokovians, and of the literary and scientific community more broadly, for having made this beautiful book.

Futuretech Podcast


“In biosemiotics, we say that the human ability to interpret signs—which is the ability to think really, to think creatively and adaptively and learn new things—didn’t just emerge with animals; rudimentary sign reading emerged in the simplest forms of life with single-celled organisms,” says Victoria Alexander, biosemiotician, Director of Dactyl Foundation, Fulbright specialist, and author of The Biologist’s Mistress: Rethinking Self-Organization in Art, Literature, and Nature. Continue reading

2016 Top 20: Fine Lines: Vladimir Nabokov’s Scientific Art

The Book/Arts blog of the prestigious journal Nature has included Fine Lines in its top 20 book list for 2016.



Fine Lines was also review in Doppiozero in Italy, Haibun in Romania, and science and art blog, and made the top 20 list







My Mimicry Research Translated into French: Papillons et feuilles mortes

fabulaimg-2“Butterflies and dead leaves: A Biosemiotic Approach to Nabokov’s Theory of Mimicry,” based on VN Alexander’s lecture at “Living Matter / Literary Forms”, organized at the Sorbonne Nouvelle in April 2013  by Liliane Campos, Yasna Bozhkova and Pierre-Louis Patoine. Text translated by Pierre–Louis Patoine.

Vladimir Nabokov n’a pas publié que des romans. On compte aussi à son actif plusieurs articles à propos des papillons, publiés par des journaux scientifiques. Au cours des années 1940, Nabokov est conservateur pour la section sur les papillons du Musée de zoologie comparée de l’université Harvard, et il développe une théorie – que peu prennent au sérieux à l’époque – à propos d’un groupe de papillons connu sous le nom d’Argus (Blues). Il croyait en effet que ceux‑ci avaient migré d’Europe aux Amériques via le détroit de Béring, en vagues successives, sur une période d’une dizaine de millions d’années. Cette théorie se révélera étonnamment juste, comme le démontrent en 2011 Roger Vila et son équipe, grâce au séquençage génétique. C’est cependant sans accès à l’information génétique que Nabokov formule son hypothèse. Il observe simplement le résultat de l’action des gènes et les variations structurelles différenciant un spécimen d’un autre. Ces observations lui donnent une compréhension intuitive de ce qui se passe au niveau des nucléotides (éléments de base de l’ADN), comme s’il avait pu visualiser l’image animée du développement de l’organisme et de l’évolution de l’espèce. Nabokov : une imagination magistrale, nourrie par une observation intensive. Nabokov comprenait bien les processus créatifs, le travail de cet « autre V. N., la visible nature ». Se reconnaissant dans la nature, et la reconnaissant en  More…