Victoria N. Alexander’s latest novel, Locus Amoenus, turns Shakespeare’s moody dark Hamlet (something is rotten in the state of Denmark) into a glib, manic 9/11 conspiracy theorist who discovers that something is very rotten in the United States of America. The 191-page novel was released at the end of June and hit #2 in Amazon’s dark humor category briefly in August while Kurt Vonnegut’s Slaughterhouse Five held out at #1. The novel has been highly praised outside of truther circles for its originality and acerbic wit, taking on, not just the inexcusably lax 9/11 investigation, but also pointing out the disastrous consequences of federal top-down control, for example, farm subsidies and nutrition guidelines, pharmaceutical subsidies, standard curriculum, and the “jobs and security” provided by the weapons and intelligence industries. Mainstream reviewers, award-winning novelists, and other celebrated critics have favorably compared Alexander to James Joyce, Jonathan Swift, Thomas Pynchon, Lewis Carroll, Barbara Kingsolver, Vladimir Nobokov, and Don Delillo, as well as the bard himself. Could this be a breakthrough for the truth movement? Continue reading →