“…The book also shed light on Nabokov’s confusing legacy with regard to mimicry…Seasoned experts on various aspects of Nabokov’s legacy weigh in on the tricky questions about his dual pursuits in science and arts. Victoria Alexander of the Dactyl Foundation addresses Nabokov’s understanding of nature in light of more current ‘post-Darwinian’ views of evolutionary processes….”
“….I also enjoyed Victoria Alexander’s Chance, Nature’s Practical Jokes, and the ‘Non-Utilitarian Delights’ of Butterfly Mimicry… While some of the science is quite technical, her writing is clear and also lyrical.” Continue reading
In our Ideas Matter segment we take time just about every week to check in with the state humanities councils in our 7-state region.
Today we’ll be speaking with New York Council for the Humanities Public Scholar Victoria Alexander about the relation between art and science – and the novelist and lepidopterist Vladimir Nabokov.
In addition to being a Council Public Scholar, Victoria is the Director of the Dactyl Foundation, where she facilitates interaction between artists and scientists. See more.
Locus Amoenus, 9/11 novel by Victoria N. Alexander, has been nominated for the 2016 Dayton Literary Peace Prize. Since 2007, the DLPP has awarded $10,000 each year. Previous recipients include, Bob Shacochis for The Woman Who Lost Her Soul, Junot Díaz for The Brief Wondrous Life of Oscar Wao, and Francine Prose for A Changed Man. The 2016 winner will be announced in September.
Locus Amoenus is now available as an audiobook, narrated by award-winning actor Ben Jorgensen, from Audible.com and iTunes. Continue reading
“One of the most revealing essays in the volume is Victoria N. Alexander’s examination of the way Nabokov’s views on butterfly evolution enlivened his imagination.”
WYBCX The Art World Demystified, Hosted by Brainard Carey
In this 45 min interview, VN Alexander’s talks with Brainard about why art is so important to learning, about the little-known “artistic” evolutionary mechanisms (other than mutation/gradual selection) that help create new species, about what the term “intelligence” in “artificial intelligence” means, about the difference between computer algorithms and poetic thinking –and lots more.
My favorite novelist, Vladimir Nabokov, is also my favorite evolutionary theorist. There is a fine line between art and science. In this beautiful coffee-table book, edited by Stephen Blackwell and Kurt Johnson, I have an essay called, “Chance, Nature’s Practical Jokes and the ‘Non-utilitarian Delights’ of Insect Mimicry.”
Fine Lines: Vladimir Nabokov’s Scientific Art hit the bookstores this week. So far it’s been favorably reviewed in The New Yorker and the Washington Post.
And in Nature:
Artificial intelligence is all the rage these days. Case in point: while I was watching football this past weekend, there were two television commercials in heavy circulation during the games that featured AI avatars—Siri and Watson—having life-like conversations with actors.
As you may know, I have a few opinions about the prospects and limitations of AI. Recently, I had an email chat with novelist and philosopher of science Victoria Alexander about AI, art, and chance. Alexander’s work focuses on the uses of chance in nature and in fiction and the changing conceptions of chance in science, religion, and art. What follows has been lightly edited for clarity. Continue reading
