“….I also enjoyed Victoria Alexander’s Chance, Nature’s Practical Jokes, and the ‘Non-Utilitarian Delights’ of Butterfly Mimicry… While some of the science is quite technical, her writing is clear and also lyrical.” Continue reading
Category Archives: teleology
VN Alexander on WAMC Roundtable with Joe Donahue
In our Ideas Matter segment we take time just about every week to check in with the state humanities councils in our 7-state region.
Today we’ll be speaking with New York Council for the Humanities Public Scholar Victoria Alexander about the relation between art and science – and the novelist and lepidopterist Vladimir Nabokov.
In addition to being a Council Public Scholar, Victoria is the Director of the Dactyl Foundation, where she facilitates interaction between artists and scientists. See more.
New Republic Reviews Fine Lines
“One of the most revealing essays in the volume is Victoria N. Alexander’s examination of the way Nabokov’s views on butterfly evolution enlivened his imagination.”
VN Alexander Interviewed on Yale Radio with Brainard Carey
WYBCX The Art World Demystified, Hosted by Brainard Carey
In this 45 min interview, VN Alexander’s talks with Brainard about why art is so important to learning, about the little-known “artistic” evolutionary mechanisms (other than mutation/gradual selection) that help create new species, about what the term “intelligence” in “artificial intelligence” means, about the difference between computer algorithms and poetic thinking –and lots more.
Fine Lines reviewed in Nature, The New Yorker and Washington Post
My favorite novelist, Vladimir Nabokov, is also my favorite evolutionary theorist. There is a fine line between art and science. In this beautiful coffee-table book, edited by Stephen Blackwell and Kurt Johnson, I have an essay called, “Chance, Nature’s Practical Jokes and the ‘Non-utilitarian Delights’ of Insect Mimicry.”
Fine Lines: Vladimir Nabokov’s Scientific Art hit the bookstores this week. So far it’s been favorably reviewed in The New Yorker and the Washington Post.
And in Nature:
PopMatters: Sean Miller interviews VN Alexander
Artificial intelligence is all the rage these days. Case in point: while I was watching football this past weekend, there were two television commercials in heavy circulation during the games that featured AI avatars—Siri and Watson—having life-like conversations with actors.
As you may know, I have a few opinions about the prospects and limitations of AI. Recently, I had an email chat with novelist and philosopher of science Victoria Alexander about AI, art, and chance. Alexander’s work focuses on the uses of chance in nature and in fiction and the changing conceptions of chance in science, religion, and art. What follows has been lightly edited for clarity. Continue reading
How can art and science interact meaningfully?
Based on a talk at the Leonardo Art and Science Rendezvous (LASER) meeting in NYC on April 12, 2014, Victoria N Alexander, PhD discusses how art can benefit science through a biosemiotic perspective. This is the second video in the “Science, Art and Biosemiotics” series, produced and directed by Lucian Rex
Victoria N Alexander speaking at NY LASER 4/12/14
NY LASER, a Leonardo Education and Art Forum (LEAF) Rendezvous Event
What: Wine + discussion
Where: LevyArts: RSVP for info info@dactyl.org
When: Saturday, April 12th from 4:00 – 7:00 pm
NYC LASER is a series of lectures and presentations on art and science projects, organized on behalf of Leonardo/ISAST’s LEAF initiative (Leonardo Education and Art Forum). Former LEAF Chairs Ellen Levy and Patricia Olynyk co-organize these presentations, and Ellen Levy hosts them on behalf of the Institute for Doctoral Studies in the Visual Arts. There will be three feature presentations by Victoria N. Alexander, Lillian Ball, and Norman Ballard.
Victoria N. Alexander is director and co-founder of Dactyl Foundation, whose mission is to “bring the arts into the sciences and the sciences into the arts.” She earned her Ph.D. in English at CUNY Grad and her dissertation research focused on teleology, evolutionary theory, and complexity science at the Santa Fe Institute. She is a novelist (Smoking Hopes, Naked Singularity, and Locus Amœnus) and is on the editorial boards of Biosemiotics journal (Springer Press) and Meaning Systems book series (Fordham UP). Alexander’s talk will address the creative process from a biosemiotic perspective and is based on her 2011 book The Biologist’s Mistress: Rethinking Self-Organization in Art, Literature and Nature.
Lillian Ball Lillian Ball is an ecological artist and environmental activist working primarily on water issues. A multidisciplinary background in anthropology, ethnographic film, and sculpture informs her work. She has exhibited internationally and her awards include a John-Simon Guggenheim Foundation Fellowship and a National Endowment for the Arts Grant. Her recent WATERWASH® public art project series combines stormwater remediation, wetland restoration, and educational outreach in a creative concept that can be adapted to coastal situations worldwide. Lillian will discuss transforming scientific data collected on WATERWASH by Drexel University Environmental Engineering Department into a reflective artwork.
Norman Ballard is an award winning innovator in the use of Laser technology and motion control ‘rayography’ as an artistic medium in the visual and performing arts. His presentation ‘Laser: The Ecology of a New Medium’, will reflect on his exploration of the emergent path of this technology and its ongoing cultural assimilation. He will discuss his breakthrough work over the past 3 decades driving the ascendancy of the laser medium into galleries and collections of fine art museums worldwide, as well as its extension to his current position as Development Coordinator for Production Automation at the Metropolitan Opera supporting its current Production Department Renovation and Technology Upgrade initiative.
The Science of Making Choices
What happens in your body when you choose to go right or left? What makes your choices? your Self? What does the word “choice” really mean?
VN Alexander, PhD discusses the science of making choices from a complexity science-biosemiotics perspective. From “Science, Art and Biosemiotics” series, produced and directed by Lucian Rex.
To read more about this topic see The Biologist’s Mistress: Rethinking Self-Organization in Art, Literature and Nature.
The Biologist’s Mistress
My new non-fiction title, The Biologist’s Mistress: Rethinking Self-Organization in Literature, Art, and Nature, has been released by Emergent Publications. Last year, I tried to distinguish myself from popular Harlequin Romance writer Victoria Alexander by changing my novel-writing pen name to Tori Alexander. But I kept Victoria N. Alexander for my philosophy of science work, assuming that I ran no risk of being confused with Victoria Alexander on that front. A couple of months ago, I wrote to a colleague in Denmark telling him that my new book, Biologist’s Mistress, would be released soon. He wrote back quickly saying that he had ordered my book from Amazon, but strangely the title (by Victoria Alexander) in Denmark had been translated into the “Perfect Mistress.”
I suppose there’s no avoiding one’s Doppelgänger.
My title, by the way, references a quote attributed to 20th C geneticist J. B. S. Haldane, “Teleology is like a mistress to the biologist; he dare not be seen with her in public but cannot live without her.”
Please take a look at the book’s website www.biologistsmistress.com, and get a copy too!