Category Archives: literary fiction

Locus Amœnus on “No Lies Radio”

lacoversmallI just sent my manuscript off to the publisher a week ago, and, as luck would have it, I got a call from Andrew Steele, host of  No Lies Radio, asking me to do an interview on the theme of the book.

The program will air Thursday, January 23, 2014

Here’s a summary of the story: In this dark comedy, a 9/11 widow and her son, Hamlet, have retreated from Brooklyn to the idyllic rural countryside upstate, where for nearly eight years they have run a sustainable farm. Unfortunately their outrageously obese neighbors, who prefer the starchy products of industrial agriculture, shun their elitist ways (recycling, eating healthy, reading). Hamlet, who is now 18, is beginning to suspect that something is rotten in the United States of America, when health, happiness and freedom are traded for cheap Walmart goods, Zoloft, endless war, core curriculum, and environmental degradation. He becomes very depressed when, on the very day of the 8th anniversary of his father’s death, his mother marries a horrid, boring bureaucrat named Claudius. Things get even more depressing for Hamlet when his friend Horatio, a conspiracy theorist, claims Claudius is a fraud. The deceptions, spying, corruption, will ultimately lead, as in Shakespeare’s play, to tragedy.
Continue reading →

Why cheap POD books are great for Literary Fiction authors

tornpaperbackUnaware, perhaps, that they no are no longer reaping rewards for their creator, used hard copies of my novels find their ways into online used bookstores and resell and resell.  I am all for recycling, in theory, but not in this particular. Neither publisher nor author gets a cut of used book sales.  What an author can do is buy up all the used copies, which are sometimes priced as low as a penny, and resell them at a higher price.  I have tried my hand at this, but I make a lousy bookseller. I refuse to bubblewrap, doublebox or otherwise over-package books the way Amazon does (they seem to think books are potentially able to explode if jostled in the post), and I don’t get orders in the mail very quickly. Although it might be of some benefit, I’m not too keen on spending a lot of energy learning how to be a bookseller as well as a writer. Gone are the days when some publishing-house intern with nothing better to do took care of things for the pampered writer.  These days most authors, be they with small or large publishers, have to do a lot of their own PR, dealing personally with book stores and reading groups.  I don’t want the added responsibility of resale management. Continue reading →

New Award for Literary Fiction

The greatest fault of literary awards is that they, like the review industry, are largely directed at new writing. There is no reason why the “best” books should be “new” books. Whereas commercial fiction is topical, trendy, and has a very short shelf life, literary fiction is not. If an industry supporting quality writing is to succeed in this changing publishing world, it must distinguish itself from the fashion industry where being “the latest” is every thing. A new philosophy for literary fiction publishing must focus on the maturing title as well as the new one. Continue reading →

What is literary fiction?

Literary fiction is often linguistically difficult, or unusual, in the way that poetry is. It often contains unfamiliar words or supports political, ideological, religious positions that are not widely accepted.  It subverts sentimentality. It makes people think.

Non-fans of literary fiction tend to complain that it sends them to the dictionary (or tries to).  They claim literary fiction is guilty of affectation, a term which seems to have changed its meaning of late:

Main Entry: af·fec·ta·tion

Pronunciation: ˌa-ˌfek-ˈtā-shən
Function: noun

1 :displaying extensive knowledge acquired chiefly from books : demonstrating profound, recondite, or bookish learning

2 :speech or behavior relating to, or characteristic of poets or poetry Continue reading →

Locus Amœnus Reading Group Forms

Last week I noticed that over a hundred people had read the beginning of my new novella, Locus Amœnus, online in a single day. I checked my webpage stats, and I found that the referring pages were from the local school district’s email server and a school board trustee’s business email server. (Who needs Booz Allen Hamilton or Statfor?!) So a hundred people from the very small town of Amenia, mostly school administration I guess, were struggling through all those “words, words, words,” to try to find out if they appear in the satire.

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The Permanent Press reports most successful year to-date

PP-logo__2_As the major publishers  continue to report significant declines in book sales for several years in a row, the Permanent Press, a small fiction house which published my first and third novels, reports a 58% percent increase over all.

Thirty-five years ago, The Permanent Press started publishing an average of 12 to 14 books yearly (mostly fiction). Keeping all their books in print–hence the name–has provided them with a small but steady source of income from a backlist of over 400 titles. In 2012, their print book sales increased by 37%,  eBook sales increased by 94%, and subrights sales increased by 427%, resulting in a total income increase from all sources of 58%. Continue reading →

The Biologist’s Mistress

My new non-fiction title, The Biologist’s Mistress: Rethinking Self-Organization in Literature, Art, and Nature, has been released by Emergent Publications. Last year, I tried to distinguish myself from popular Harlequin Romance writer Victoria Alexander by changing my novel-writing pen name to Tori Alexander.  But I kept Victoria N. Alexander for my philosophy of science work, assuming that I ran no risk of being confused with Victoria Alexander on that front. A couple of months ago, I wrote to a colleague in Denmark telling him that my new book, Biologist’s Mistress, would be released soon.  He wrote back quickly saying that he had ordered my book from Amazon, but strangely the title (by Victoria Alexander) in Denmark had been translated into the “Perfect Mistress.”

I suppose there’s no avoiding one’s Doppelgänger.

My title, by the way, references a quote attributed to 20th C geneticist J. B. S. Haldane, “Teleology is like a mistress to the biologist; he dare not be seen with her in public but cannot live without her.”

Please take a look at the book’s website www.biologistsmistress.com, and get a copy too!

Naked Singularity now on Kindle

My second novel may not get quite as much attention as my other two novels (with pretty females on their covers), but Naked Singularity is my personal favorite and I’m happy to announce that it’s finally available on Kindle.  The subject is dark — euthanasia — but heavy as it is, it’s also darkly comic. Here’s a thoughtful review from poet Gerrit Henry published when the novel first appeared in 2003.

Alexander, Victoria N. Naked Singularity.The Permanent Press, 2003, Sag Harbor. 189 pp. One of the many dark beauties of Victoria N. Alexander’s new novel is that, not only is it the proverbial good read, it is also a proverbially brilliant one. Alexander–holder of a PhD–has dished up a heart-stoppingly beautiful heroine who holds similar degrees in teleology (the study of why) and she thinks, and writes, like a dream. Witness this sample from a soliloquy by Hali on death: “You had thought death would at least be romantic, but now you realize there is nothing to be thankful for–how vacuous, how colorless, how without pity, how without regard for your intentions . . . . ” This, from a piece of popular fiction, is almost asking too much in the matter of sheer, unabused style. Continue reading →