Unaware, perhaps, that they no are no longer reaping rewards for their creator, used hard copies of my novels find their ways into online used bookstores and resell and resell. I am all for recycling, in theory, but not in this particular. Neither publisher nor author gets a cut of used book sales.
What an author can do is buy up all the used copies, which are sometimes priced as low as a penny, and resell them at a higher price. I have tried my hand at this, but I make a lousy bookseller. I refuse to bubblewrap, doublebox or otherwise over-package books the way Amazon does (they seem to think books are potentially able to explode if jostled in the post), and I don’t get orders in the mail very quickly. Although it might be of some benefit, I’m not too keen on spending a lot of energy learning how to be a bookseller as well as a writer. Gone are the days when some publishing-house intern with nothing better to do took care of things for the pampered writer. These days most authors, be they with small or large publishers, have to do a lot of their own PR, dealing personally with book stores and reading groups. I don’t want the added responsibility of resale management. Continue reading
Tag Archives: POD
Indie books compared to Indie films and music
The film industry and the music industry long ago responded to technological advances that put production power in the hands of the artist. When video quality became comparable to film quality, Indie videographers could afford to make their own movies. If at first these looked a bit “low-budget,” that changed soon enough. And in 2009 the Academy Award for Best Cinematography went to a digitally-shot picture: Anthony Dod Mantle for Slumdog Millionaire. “Indie Film” is now its own genre, much in the way that “literary fiction” is a genre, whose only defining characteristics are its artfulness. Continue reading