With all books, there is a difference between author and narrator. Sometimes the difference is slight, sometimes great. Omniscient narrators tend to reflect the author’s stance about the story more than, say, first-person narrators, which often strike poses very unlike the authors’, excepting the case of confessional “fiction” (which is not actually fictional). At first I thought Blood Meridian: Or the Evening Redness in the West (Modern Library)‘s narrator spoke without irony, without distance being injected between his voice and the author’s feelings about the story. As I read on, I felt more and more an ironic distance between McCarthy and the narrator. I felt as if Continue reading
Category Archives: literary fiction
The Names by Don DeLillo
DeLillo surely kept a journal while living in Athens and visiting various places in the Middle East and India. He noted scenes, described the climate and vegetation, philosophized on the locals then published his journal as the novel, The Names, after he added a “plot” about a cult that murderers people for the completely uninteresting reason that their initials match the initials of the place name in which they are murdered. DeLillo also added the equally uninteresting denouement in which it is Continue reading
The House of Meetings by Martin Amis
The House of Meetings is a narrative delivered as a long letter from an unnamed narrator, an 86-year-old Russian man, to his step-daughter Venus, living in Chicago. He is in the midst of traveling back home after many years in the U.S. The point of his journey is to revisit a work camp in the Artic where he had been held prisoner and slave laborer in the 40s and 50s. Particularly, he wants to visit the “house of meetings,” where, late in the labor camp era, the Soviets had begun allowing some prisoners to meet briefly with their wives. The narrator’s brother, Lev, with whom he shared most of his prison years, had been able to meet with his wife Zoya there on one occasion. Something occurred during the meeting that changed Lev’s life for the worse, and Continue reading
The Sea by John Banville
Don’t read this review of The Sea if you don’t want to ruin the surprise ending. If you’re at all like me, you may find it preferable to know, to know more than what the jacket cover reveals, that there was a death in the narrator’s childhood that he revisits in memory as an old man. At the end of the book the narrator relates the sudden double death of twin children. And he reveals the true identity of Miss V, their former Continue reading
Black Dogs by Ian McEwan
Black Dogs: A Novel is a skillfully written novel on an interesting and profound topic. McEwan does a wonderful job describing June, an eccentric old woman, the narrator’s mother-in-law. He also handles what could be a very artificial story device in a reasonably natural way. The idea of the book is to explore the conflicts between mystical thinking and rationality, and the narrator is interviewing and writing a memoir on his mother-in-law and father-in-law who represent those views respectively. This passage exemplifies well McEwan’s sensitivity and talent as a writer; Continue reading
Walk On, Bright Boy by Charles Davis
Set in Medieval Spain, Walk On, Bright Boy is story of a boy’s first confrontation with political and religious corruption strives less for historical accuracy than for universal applicability. Written with lovely economy and sensitivity, it is reminiscent of a fable or of a young adult coming-of-age tale. At the same time, however, it is also complex in its exploration of human foibles and philosophies. Continue reading
