The galleys (review copies) of Locus Amœnus came out today. Permanent, the publisher, will be sending them to Library Journal, Kirkus, and Publishers Weekly and various other trade review publications.
Here is the final cover design for Locus Amœnus, which will be released at the end of April. The novel is a dark comedy/tragedy, a revision of Hamlet set in rural upstate New York in 2009. I requested a graffiti font for the tile to add a bit of irreverence to contrast the pastoral scene. The designer chose to use a bullet-holes-and-blood font to make it look like a thriller. The story does involve an old murder, two accidental deaths, some bloody noses and an allusion to Shakespeare’s heap of bodies at the end of his play, but no one actually gets a mob-style hit in Locus Amœnus.
The Permanent Press, which will be publishing my novel Locus Amœnus, announced its 2015 titles today. I am pleased to find myself among some very talented writers. I am also happy to discover that several of the sixteen novels on the list have anti-war themes; one takes on drone warfare, another economic disparity; a couple of them are pretty quirky; one even invokes Hamlet, as mine does.
I like the company.
From the catalogue:
LOCUS AMŒNUS by Victoria N. Alexander Continue reading
Statues of mythological and/or fictional characters and themes can be found in state and federal parks all over the country, like this statue of Neptune at a city park in Virginia Beach. As far as I know atheists don’t try to get these removed. The American Atheist Organization is suing to remove a cross from the WTC memorial. The “cross” is actually a section of welded I-beam that was found sticking up from the rubble after 9/11. Witnesses found the coincidental resemblance to Christ’s cross significant. While I don’t agree that such coincidences are supernaturally caused, I think they are interesting. Significant coincidences are at the heart of all “chance” phenomena which lead to the emergence of life, language, and art. (That’s my natural philosophy in a nutshell.) I could no more reject public tributes to Christianity than I could to any great work of fiction. Somehow it just doesn’t piss me off. I understand it as art. It doesn’t bother me that others take it differently. (I even have a portrait of a black Madonna hanging in my home. It’s a really cool painting that my great-grandmother brought over from Poland.) That’s why I think there is something up with AAO’s president David Silverman who isn’t able to detach himself emotionally from the power of religious symbolism. He released this statement about the WTC cross Continue reading