Death and sex are literature’s subjects, not science’s. What we care most about is what these subjects mean to us—not what they, in fact, are. When scientists attempt to enlighten us on these matters, they often fall to recounting certain metabolic processes, generally missing the point, while we readers sigh or snicker, wondering if the researcher has any experience out of the lab. This is not the case with Death and Sex by Tyler Volk and Dorion Sagan. See my review in New York Journal of Books.